Love towards Cinema
Being the third collaboration of Sukumar-Allu Arjun-DSP, the first installment speaks volumes about the rise of Pushpa as a person and as a smuggler, while the other characters are left with a mere chapter.
Along with some terrific background scores, Minnal Murali scores heavily on the way it is presented, in spite of having a pretty ordinary superhero subject.
Known for directing movies with a family backdrop, Meenakshisundaram Ramasamy Viswanathan (aka) Visu scripted several family dramas where he tried to achieve the balance among people from different emotional, economical, and social backgrounds, through quirky acts of discombobulating a known social construct.
Featuring a humongous cast, Director Siva gave us yet another family entertainer which is high on glycerine and moral policing, while low on fresh content. Yet, the movie still manages to hold you in parts, due to the brand name called Superstar Rajinikanth.
Backed up by a sound production design, T.J. Gnanavel tried an honest narration about the cast(e)aways which had good intentions but lacked clear writing, cinematically.
Being the 50th film of Jyothika and co-produced by Jyothika and Surya, I had some hopes running on this directorial from Era. Saravanan. Based on sibling relationship, Udanpirappe sure have a lot of scope to scout around and provide us a high tension drama. Instead, all we get is a pretty plain a
Sankaran Writes 