Love towards Cinema
Directed marvellously by James Cameron, the second instalment of Avatar is far better when it comes to technicality, characterisation, and playing with complex emotions that are not only human. However, with a runtime of more than three hours, it could've been a director's cut than a theatrical one, as it is less exciting than the first part, which is sort of a great benchmark to satisfy.
Directed by Rishab Shetty, Kantara follows a folklore deeply rooted in mythology, emphasizing the need for co-existence between humans and nature. Backed up by detailed production design and a powerful score from Ajaneesh Loknath, Kantara surprised me with its commercial execution of a well-known plot of land, greed, and power. But at the same time, it disappointed me with its conservative depiction of misogyny.
மண்ணின், அதன்மீது வாழும் உயிர்களின் உயிர்நாடியைத்தொடும் ஒரு அனுபவத்தை நமக்கு அளித்திருக்கிறார் திரு ம.மணிகண்டன் அவர்கள். உணர்ச்சிகளை கிண்டும் சந்தோஷ் நாராயணனின் பின்னணி இசையில், மணிகண்டன் அவர்களின் உருவாக்கத்தில் வெளிவந்த இத்திரைப்படம், இயற்கையுடன் இணைந்து வாழுதலின் மகத்துவத்தை, ஒரு philosophical meta-state இல் இருந்து எடுத்துரைக்கிறது.
Created by M. Manikandan, Kadaisi Vivasaayi (The Last Farmer) is rather an experience that moves not only the earth but the very soul of the beings that thrive on it. Along with a soul-stirring background score from Santhosh Narayanan, the feature narrates the importance of connecting oneself with nature, from a philosophical meta-state
Sankaran Writes 