Love towards Cinema
With the backdrop of the 2018 Kerala floods, Jude Anthany Joseph directed this survival thriller with a highly moving narrative that encompasses several emotions. The film, backed up by a humongous cast, is engaging and intense, providing a great aftertaste.
Having a cult following of their own, Hey Ram, Virumaandi, and Game Over deviated from the stereotypical narration, providing us with highly deceptive, complex, yet carefully structured layers in the screenplay, that unveil themselves with time and patience. Here we are going to discuss certain traits and techniques these features imbibed, in providing us such an intriguing watch, and an enthralling aftertaste, even after multiple viewings.
Directed by Nelson Dilipkumar, this Vijay starrer offers us an entertainer that is straightforward without any "save the nation/people" slogans but relies more on the dialogues to entertain us than the story itself. As a result, what we get is a supposed hostage thriller, where everyone seems to take everything for granted, including the intelligence of the audience.
With an astonishing background score from Midhun Mukundan, Raj. B. Shetty pulled off an eccentric tale of bromance involving power, greed, resentment and eventual downfall, that is exceedingly well-crafted in both technical as well as philosophical sense.
With some brilliant writing from Jeethu Joseph, the sequel to the blockbuster Drishyam deals with the life of Georg Kutty and his family at a meta-state which is more of a philosophical one than a thriller.
Sankaran Writes 